The Sony FE 85mm f/1.8 Lens has your name on it. The 85mm focal length is perfect for portrait photography, and the image quality is good. The size and weight of this lens invite long-term use, and the low price seals the deal. The Sony FE 85mm f/1.8 Lens is a great value Your first consideration when blurring a background is the focal length of the lens. The longer the focal length, the more blur will be created at a given f-stop. For example, at f/2.8, a 200mm lens will create more background blur than a 50mm lens. Wide-angle lenses will not create a noticeable background blur effect at any f-stop What Gear To Use For a Blurred Background . You might have read that you need an expensive lens to create a blur red background.. Or maybe this has happened to you You're ready to shoot a close up portrait with your kit lens. You choose the wide st aperture your lens allows you to go (f/3.5) because you understand the small numbers are responsible for those blurred backgrounds in photos
The best lenses for bokeh will typically be prime lenses with wide maximum apertures. These lenses are perfect for portraits, weddings, still lifes or street photography, for example. They help you make your subjects stand out from their backgrounds, and give backgrounds a soft, creamy blur that's highly prized by photographers Check out this quick video tutorial on how to get a blurry background with Sony A6000 and adapted lenses. So many people love the shallow depth of field loo..
Tamron's 17-70mm F2.8 Di III-A VC RXD lens upgrades your Sony APS-C mirrorless to net shots with blurred backgrounds and outstandingly sharp results. MSRP $799.99 $799.0 Canon's 85mm f/1.8 EF and their 135mm f/2-L EF lens are both really good lenses. I own both of them,and think they are really very strong candidates for lenses that can create nice, blurred backgrounds, and which are still very practical lenses that are easy to carry and very useful To have the most blurred background possible without changing your distance from the subject, use the longest focal length of your lens. Here on a 18-55mm zoom lens, you have to be 55mm Â© Amaury Descour í ½í²» Download my Video Courses at http://learnfromben.com and learn my tips and tricks about landscape photography and image editingIn this video adventure pho..
I had to buy a lens with a bigger aperture to get a completely blurred background, and the Canon 50mm f/1.8 was the answer. It is a relatively cheap lens to get started with portraits. You can find other lenses with an aperture of f/1.4 or f/1.2 but the bigger the aperture, the more expensive the lens. Portrait with an aperture of f/1. If you want to maintain the wider end of a 70-200, check out the incredibly fast Sigma 50-100 f/1.8 Art lens. It packs a ton of performance in a compact package. 50MM F/1.2 & 1.4. There is a reason 50mm lenses are loved by so many photographers, but there is something special about them for photographing children This also means that the background close to subject will be blurred more by the faster lens. In this case the 50mm lens at f1.4 gives slightly greater blurring for objects up to about 1m behind the subject in focus Sony does make 50mm 1/.8 lenses for both E and FE mount cameras, but this 55mm is faster to auto-focus and sharper, making it definitely worth the additional expense if you plan to use it a lot One of the best lenses available for the Sony A6600. It offers very sharp images with a superb background blur, even in low light. The focal length is quite difficult to use indoors but outdoors it's very practical
The premier Sony macro lens. The Sony FE 90mm f/2.8 Macro G lens was awarded a Lens of Distinction in the Best Prime Lens category of our 2015 Lenses of the Year awards for good reason. The lens. The presence of soft, creamy bokeh â€”which contrasts beautifully with the sharpness of the subject in the foregroundâ€”instantly makes any photo all the more captivating. Bokeh refers to the quality of the blur in the parts of a photo (usually the background) that are out of focus. To achieve bokeh in a photo, you'll need an extremely fast camera lens with a wide apertureâ€”at least f/1.8. The 18-55mm is a very nifty lens. You can get great images with Nikon 18-55mm, even for those where you want to blur the background. The first thing you should understand is why do you get background blur in some images. The defocus of background or foreground points in a photograph is all dependent on the aperture size of the lens
Ideally, for a blurred background, you should use a lens that has at least an f/2.8 aperture available. Lower f-numbers will offer even more blur. A 50mm f/1.8 is even better, with several manufacturers offering options for less than $300. An f/1.4 is even blurrier, but these lenses sit at a much higher price point Sony FE 55mm f1.8 ZA review The Sony FE 55mm f1.8 ZA from 2013 is a very successful standard lens: small, light, sharp across a 42MP full-frame sensor, with excellent resistance against flare and glare in adverse contra-light situations It may only offer an f1.8 focal ratio but its slightly longer 55mm focal length compensates a bit when it comes to background isolation The Sony FE 24-70mm lens is truly a jack of all trades. This lens is wide and fast enough to capture landscapes and night-sky shots, but the up to 70mm range also guarantees it will work well for everything from weddings to street photography, too The Sony FE 85mm f/1.4 GM Lens is the perfect lens for portrait photographers. It's a compact lens, but it offers a great resolution. It features a F1.4 aperture that helps make for a shallow depth of field and a blurry background. This lens takes great photos, and it is capable of creating a sharp image that is the main focus of the portrait
While the blurred background effect is often associated with DSLRs, you can also achieve this effect with a compact. It would help if you had a wide f-stop range. A good f-stop range is from f/1.8 to f/22, and as a general rule of thumb, the lower the f-stop number, the more blurred the background The Sony E 16-55mm f/2.8 G is the best lens for you if you're after the ultimate image quality. In fact, while it's much more expensive than the previously mentioned Tamron 17-70mm f/2.8, this lens is a better choice for professionals and serious amateurs In turn, this reduces the depth of field, which means the following: shots taken with an 85mm lens will have a more blurred background than those taken with 50mm. Therefore, such focal length makes this model the best portrait lens for Nikon. When shooting, it is possible to soften the texture of the model's skin The best lens for group photos in my opinion is a 135 mm. This gives you the ability to capture a larger group without the use of rows. The image above was taken with my 135mm lens which gave me a beautiful background bokeh. Related: Lou's Favourite Lens But another factor - distance from the camera to the subject - influences how blurry the background is as well. As you can see in the screenshot above, shooting from a distance of about two feet away at 60mm and f/5.6 gets a nicely blurred background. Editor's Tip: Prime lenses typically offer sharper performance than zoom lenses
Sigma 50mm f/1.4 DG HSM Art. The Sigma 50mm Art lens is one of the best bokeh lenses available. This particular lens is available to use with three different mounts: Nikon's F-mount. Canon's EF-mount. Sony's A-mount. There are a total of 9 aperture diaphragm blades 7. Sony SEL28F20 FE 28mm f/2-22 Lens. This is one of the best standard lenses for photographers who use mirrorless cameras, and with a maximum aperture of f/2, it creates a dreamy bokeh effect. The circular aperture has 9 blades, and produces beautiful rounded orbs of light The defocusing range available may vary depending on the camera lens. The defocusing effect may not be noticeable depending on the distance from the subject or the lens used. For cameras with interchangeable lenses, the Background Defocus Control function does not operate when using a lens adapter to attach an A-mount lens
The last important point to note when attempting to create background blur and bokeh with your DSLR is to choose a lens that is specifically geared toward portraiture. For example, you will want to start by using lenses with small f-stop capabilities. The best range for background blur is anywhere from f/1.2 to about f/2.8 Part of Sony's high-resolution G Master lineup, the 70-200mm F/2.8 GM OSS lens has the company's in-lens image stabilization, which works in tandem with the in-camera stabilization found on the Sony a7 and a6500. The lens has three aspherical elements, one of which is a high-end XA element, designed to reduce chromatic aberrations What's the best lens for Sony a6000? The best lens for the Sony a6000 will depend on your requirements. Our top pick is the Sony E 35mm f/1.8 OSS, an affordable, lightweight, compact and fun e-mount lens which allows you to blur the background 'on the cheap'. Can I use FE lenses on a6000? Yes you can Sony newest telephoto zoom is the longest lens in the Sony APS-C lens line-up yet weights just 22 ounces and features linear tracking for lightning fast Eye AF and Real Time Tracking. Optical design includes one aspherical element and three extra-low dispersion elements that reduce aberrations to provide sharp, clear imagery throughout the zoom. Probably the zoom lenses do not have a wide enough aperture, even wide open, for a strong blurry-background effect. You might try the longer lens near to its longest setting -- perhaps at about 180mm. But really you need a prime lens with a wider aperture such as f/1.8 or at least 2.8. One possibility is the Sigma 60mm
An outstanding lens to have in your kit is a 100mm macro lens. This lens is not only for macro or close up shots. By pulling further away from your set, you can get lovely portrait-style shots as well. You will get a great blurred background. I have the consumer-grade 100mm f/2.8, and it's razor-sharp Blurring the Background Using Lens Blur. Once the selection is made with the edges refined, the next step is to feed the selection as the plane of focus to create a depth map. Now I have a layer with the mask (selection). With the layer selected, go to the menu option Filter -> Blur -> Lens Blur. This will bring up the lens blur window
Guide to the best Portrait Lenses - Sony A7 series. We summarize our experience with all the native E-mount and a few legacy lenses in the 85-135mm bracket for the Sony a7 series to give you a compact and independent resource for choosing the best portrait lens for your needs. We also have a 9-20mm ultra wide angle lenses, guide to 21-35mm. The best part is, with the right Lens Blur techniques you can create totally seamless depth, just like you would get with that expensive camera lens. Create A Dramatic, All-Over Blur The Lens Blur tool defaults to a gorgeous all-over blur, turning your photo into a bokeh masterpiece The best DSLR lenses are hard to find in a sea of (blurry background). It's available in Nikon, Canon, Sony, and Sigma versions. Sony, and other brands offer their versions of this lens. Best Zoom Lens for Sony A6300. Sony 55-210mm zoom lens. The perfect Zoom Lens - The best and handy zoom lens available for your E-mount camera is the 55-210mm zoon lens. The lens features very light-weight (compared to the DSLR zoom lenses I have used till now) and gives you clear images even when captures at tele-end of the lens or at max aperture 10. Sony Alpha 70-350mm f/4.5-6.3 Telephoto Lens. Our final pick of the best lenses for Sony a6500 is one of the telephoto lenses with zoom functionality - it has a focal length range of 70-350mm. Despite the telephoto range, this sports lens is reasonably light and easy to handle, weighing just 22 ounces
The background blur is very good for a 24mm : very soft ; Color rendition is very good and natural; The minimum focusing distance is small : 19cm, which is very good to maximise the background blur effect & the size of the bokeh balls ; Les ronds de Bokeh sont bien circulaires Ã pleine ouverture et mÃªme quand on ferme . However, not all wide-angle lenses are equal and deciding what best suits your style can be tricky. While shooting landscapes is often a matter of timing and patience, switching your standard kit lens with a piece of gear specifically designed for this.
Topping Sony's own A-mount 85mm F1.4 Zeiss lens was no easy task, but Sony did it with this lens that combines best-in-class sharpness with beautiful bokeh! (It's worth mentioning that the Sony FE 90mm F2.8 Macro G lens would have been Number One on my list until the announcement the of the Sony FE 85mm F1.4 G Master Lens Blurred Background Vs In-focus Background. You can easily set the mood for your images by knowing how to play with depth of field. The depth of field is important and will let you decide if you want a blurred background or a fully focused background. This will have an impact on the mood, warmth, and feeling of your image BEST FOR: THE PRIME PRO. Being the only prime lens on this list, the Nikon AF-S FX NIKKOR 300mm f/2.8G ED offers exceptional autofocus and aperture speeds suited perfectly for wildlife photography. The f/2.8 aperture guarantees you an easier time in low-light conditions, hand-held scenes, and experiments with shallow depths of field Sony has been sure to keep everything on the lens as user friendly as possible due to its price point making it a very attractive lens for entry-level photographers and videographers who may be new to using a mountable lens. If you have just purchased your Sony a6000 and are looking for your very first lens then the Sony 16mm f/2.8 is a solid.
. Eye AF is compatible with all native E-mount lenses that feature autofocus. This includes the APS-C series, the Samyang AF series, the Zeiss Batis line-up and the Tamron Di III lenses. If you adapt a Canon DSLR lens with an electronic adapter, Eye AF may or many not work properly The Best Canon Portrait Lenses . Buy Rent 1. Canon EF 70-200mm f/2.8L IS III USM Lens. The Ultimate Zoom Lens. The 70-200 f/2.8 image stabilized lens is one of the most crucial zoom lenses in most photographers' kits, and the 70-200 f/2.8L III IS Lens is one of the best zoom lenses ever produced
10. Sigma 50mm f/1.4 DG HSM Art -. Available to fit Canon, Nikon, Sony and Sigma cameras, this 50mm wide aperture lens is ideal for portraits with nicely blurred backgrounds. It's pitched as a. The new Sony 24mm f/2.8, 40mm f/2.5, and 50mm f/2.5 are three new compact prime lenses that each cost $600. Their uniformity and small size come as a welcomed surprise to the G Master lineup
Here's a quick summary on How To Calibrate Your Lenses: Get a Calibrator - There are many on the market but we recommend the $25 focus pyramid. Set your camera on a Tripod - A tripod or other flat surface is essential. No hand holding. Focus using the viewfinder - Turn off live view and focus using the viewfinder Canon EF 400mm f/2.8 L IS II USM. This super telephoto lens comes provides image stabilizer and an ultrasonic motor. With accurate and fast AF, you will stunningly clear images of the most fast-paced sporting events. This lens also offers a diffuse background blur to really bring focus to those key players It's also to easier to create a blurred background with a telephoto lens, so if you're also using a wide aperture such as f/2.8 you can get stunning results, as the blurred part of the image can. I am not sure of what these other answers are thinking of but I can do anything with my 50 mm prime and it cost me $300.00 as it is an old F-1.4 model which was about twice the price of the Nifty Fifty. With the 50 mm the depth of field at F-1.4 a.. One of the nicest aspects of using a camera with a 42mp sensor is the ability to crop into your images and still maintain a ton of image detail and resolution. If you are using a telephoto lens and want a little extra reach, you can force the a7rII to think it is using an APS-C lens, allowing you to take advantage of the 1.5x crop of such a sensor
85mm- This is the lens you want if you LOVE bokeh and have the extra space to shoot. It's a dream for portraits if you love some serious blur (that's often good enough to eliminate some background distraction). 135mm- The 135mm will give you the BEST compression, but make sure you have plenty of space to back up Canon's best lenses are its L Series. But there are great lenses to be had for less money. The Canon EF 85mm f/1.8 USM Lens will work with any Canon DSLR body, including full-frame models
.8 G is a large-aperture ultra-wide-angle prime lens meant for portraits, astrophotography, landscape and street photography, as well as video. The lens features two advanced aspherical elements and three extra-low dispersion glass elements The Sony 55-210mm F4.5-G6.3 (300 euros) is mostly sold in double kit with the A6000. Optically the lens is very sharp in the centre below 135mm but performance are dropping at the long end with F8 only being really usable. Corners are quite average wide open and you should close down by one stop at every focal length Once you've done that, the background will changeâ€”that is, whatever's behind you will be blurred! While the filter works best for selfies, you can also use it with the rear-facing camera. Since you won't be in the frame, though, everything will be blurry
Whether you have an overflowing amount of cameras or a single lens you've been using for years, you can take exceedingly impressive portraits.Read and find out how you can make the most of the affordable 50mm f/1.8 lens for shooting portraits.. Canon's 50mm 1.8 prime lens is a perfect example of an affordable yet powerful lens. Compact and lightweight, it can be taken to - and used in. The longer your lens and wider your aperture, the more blur you will get. Shooting with a telephoto lens at an aperture of f/2.8 and a decent amount of separation between your subject and the background will allow you to blur that background to oblivion! Telephoto Lens Recommendations Sigma 85 f/1.4 Art for Canon, Nikon, and Sony E Mount. The.
One way to blur backgrounds is to use a lens with a wide maximum aperture. Lenses with wide max apertures create shallow depth of field, which turns that distracting background into a soft out-of-focus canvas. This makes a wide maximum aperture the second requirement of a good portrait lens. Best Canon Portrait Lens Tamron 28-75mm f/2.8 XR Di L Sony had the Distagon 35mm f/1.4 ZA available for full-frame mirrorless cameras since 2015. On the other hand, the Sigma 35mm f/1.4 DG HSM ART lens has an E-mount but functionally is the older. You can blur your background at f/2 and let all the focus be on you. The 16-50mm kit lens that comes with the Sony a5100 mirrorless camera has a maximum aperture of f/3.5 to 5.6 and a minimum aperture of f/22 to 36
While the 16-50mm kit lens is adequate (with a maximum aperture range of f/3.5-5.6), options such as the Sony E 35mm f/1.8 prime lens are appealing. The biggest drawback of the A6000 for vloggers. . Location and lighting determine your scene choices: Night View, Portrait, or Sports Action are options. Identifying your A65's or A77's dials and buttons helps you quickly play back photos for review The Sony FE 50mm f1.8 is an affordable standard prime lens for Alpha mirrorless cameras. It delivers standard coverage on full-frame bodies making it an ideal walk-around lens, and becomes a short telephoto on APSC bodies, equivalent to 75mm, making it perfect for portraits. Meanwhile the bright f1.8 focal ratio lets you shoot more easily in.
85mm - The best lens that could change your portrait photography. If that hat seems familiar, yes, Elle was the model in the series of photographs for the Nikon Df review article. For some of the sequences of photos that we shot, I used the 85mm lens, wide open. This had the effect of just melting the background Sigma 18-35mm F1.8 DC HSM L. Sigma set the camera world ablaze with this new lens. All you could hear anyone talk about in 2013, especially those into DSLR video, was that new Sigma lens and its incredible sharpness and overall performance (rivaling that of glass costing two- to three-times as much) If you use a Sony a7/a7s/a7r you have to carry a tripod more often and achieving focus with longer lenses is a bit harder. Newer Sony cameras like the Sony a7ii or a7rii feature an integrated image stabilizer which works with manual lenses! You need to tell the camera your focal length though which costs 2 or 3 seconds Given that gear, you'll get maximum background blur by zooming in to 55mm, going aperture priority mode (Av) and setting the aperture to 5.6 which is the maximum aperture on that lens at that focal length.. You have a combination of a crop sensor (less visible bokeh) combined with a lens that maxes out at f/3.5 at the wide end (less obvious bokeh than lenses which go to a wider aperture)
The best budget mirrorless camera is Canon's EOS M200. For $550 including a 15-45mm kit lens, you get a 24.1-megapixel APS-C sensor that delivers sharp shots with natural colors and skin tones Sony DSC-H2 Review. By: Steve's Digicams. Review posted 11/9/2006. Click on the H2 for a 360Â° QTVR tour. The Cyber-shot DSC-H2 is a compact and stylish 6-megapixel camera with a two-inch LCD screen, a powerful Carl Zeiss 12x optical zoom lens (36-432mm in 35mm equivalence). The H2 incorporates Sony's Super SteadyShot optical image. Colors and sharpness are razor-sharp, lifelike and stellar for a lens this affordable price. Lens elements provide minimal chromatic aberration and color blur. It's effortless and easy to get an awfully blurry background when you've got a lens that can go f/2.8, f/2 or even lower, you can do that in less than a second on the Canon EOS 7D. BACKET 8X Mobile Blur Background HD Optical Zoom Telescope Lens kit for All Mobile Camera Blur Background Effect Macro Lens & Wide Angle Effect Lens. by BACKET. 3. â‚¹799.00. â‚¹799. . 00. â‚¹999.00. â‚¹999.00 FREE Delivery A prime lens with a wide maximum aperture like the Canon RF 50mm F1.8 STM lens used here lets you blur backgrounds with ease, dissolving details into beautiful points of light. While a kit lens with a maximum aperture of f/4-5.6 or more will allow you to blur the background, it won't achieve the same quality of bokeh
Sandmarc's Anamorphic lenses (1.33x for $129.99 and 1.55x for $159.99) are a good alternative, if you can find them for sale. The Kase Anamorphic lens costs $134.95 and comes with the universal. Sony DSLR-A100 Guide. Posted in September 2006. In this Sony DSLR-A100 guide, I'm going to use this word a lot: first. Here's why: the DSLR-A100 is the first digital SLR camera produced by Sony, in a partnership with Konica Minolta (who has ceased their digital SLR production) Canon 70-200mm f/2.8L IS II Lens ($53 for a 3 Day Rental, See More) Equipped with panning-friendly Image Stabilization modes and a Focus Range Limiter, the Canon 70-200mm f/2.8L IS II lens is ideal for wildlife and sports shooters. But it's also one of Canon's most popular L series lenses for portrait work. The subject-to-background. 2. Canon EF-S 10-18mm f/4.5-5.6 IS STM - Best wide-angle zoom lens . Pros: Very light without feeling cheap; Images have good contrast and plenty of detai